Margaret Randall
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Writings and Books

Latest addition : 16 March.

Fragment of poetry reading at Bihl Haus, San Antonio, January 2015. Video made by Tania Romero. Thank you, Tania! https://www.youtube.com/watch?v=gNa...

Poetry reading at the University of Arizona in Tucson, February 13, 2014: http://www.youtube.com/watch?v=7-_Q...

My brand new book on Che Guevara, CHE ON MY MIND, is just out! See cover and details at: http://www.scribd.com/doc/166026551...

Doug Valentine interviews Margaret Randall for Counterpunch: http://www.counterpunch.org/2013/09...

Jonah Raskin also interviewed me about CHE ON MY MIND. Read his piece in The Rag at: http://theragblog.blogspot.com/2013...

My new single-poem chapbook, DAUGHTER OF LADY JAGUAR SHARK, is just out from Wings Press. Once again, Bryce Milligan has produced a gem of an edition; he designed, hand-printed, and hand-bound the little volume that also contains 15 full-color images. It can be ordered directly from the publisher at: http://www.wingspress.com/book.cfm?...

My most recent collection of essays, MORE THAN THINGS, is just out from University of Nebraska Press. You can order at: http://www.nebraskapress.unl.edu/pr...

AS US February 14 issue just out, with many great contributions: http://asusjournal.org

UTNE READER features BORDER SONGS: A COLLECTION OF MUSIC AND SPOKEN WORD (an exciting new CD to benefit No More Deaths / No Mas Muertes). At the following link you can hear Glenn Weyant’s sound engineering accompanying my reading of "Offended Turf": http://www.utne.com/utne-reader-mus...

Read poems by me and others at Connotation Press: An Online Artifact http://connotationpress.com/a-poetr...

Sound engineer and all-around genius Glenn Weyant was in Albuquerque for the Cultural Conference 2012. He taped me reading my Wings Press chapbook, WHERE DO WE GO FROM HER?, then set the recording to his haunting music. You can listen to the collaboration at: http://sonicanta.bandcamp.com/album...

Panel on the Borderlands, held at Barnard College, New York, in September of 2011 http://www.youtube.com/watch?v=pg-I...

Read my "Coyote Grin" in PERSIMMON TREE, an on-ling literary magazine for women over sixty (the writers are over sixty, the readers of all ages!). Go to http://www.persimmontree.org

Richard Vargas interviews Margaret Randall prior to launching of Margaret’s new book RUINS (The University of New Mexico Press) at Alamosa Books in Albuquerque, Sunday, August 13, 2011. To read the interview, published in The Duke City Fix: click here

To order a copy of my new bilingual limited edition of AS IF THE EMPTY CHAIR / COMO SI LA SILLA VACIA, just out from Wings Press, go to: http://www.wingspress.com/book.cfm/...

To hear Margaret Randall and Roxanne Dunbar-Ortiz at La Peña in Berkeley, California, March 23, 2011, Talk on Cuba, go to http://www.radioproject.org/community/ and click on the recording. This was made possible by The Women’s Desk at Making Contact.

Go to New Mexico Poets Page: http://localpoetsguild.wordpress.co...

View new five-minute short version of the film about EL CORNO EMPLUMADO / THE PLUMED HORN here: http://vimeo.com/10689794.

Read "Offended Turf," my poem about the border experience, and see three photographs from the border area at http://www.dooneyscafe.com

  • Narrative of Power: Essays for an Endangered Century

    Let America be America Again, Round 2
    Let America be America again . . . —Langston Hughes
    But was it ever? Perhaps for those who roamed with buffalo and spirit song before Vespucci came bearing a name so foreign to their lives. Perhaps for the families pushing their wagons west planting crude crosses as they rutted heartland and rivers, the challenge of mountains. Conquest (...)
  • When I Look Into the Mirror and See You: Women, Terror and Resistance

    Chapter 1 The Prism: Women’s Human Rights
    Language evokes, describes, communicates. But language can also be used to obscure and mislead. It can be used to kill. Today’s political discourse, cynically manipulated, often does just that. Nowhere is this more evident than when speaking of violence. How do we define violence, who do we see as perpetrating it, which acts of violence do we condemn and which do we justify?
    We call the Islamic fundamentalists who attacked the United States on (...)
  • Where They Left You for Dead / Halfway Home

    Androgynous and very beautiful,
    they list your qualities among those others: patron saint of healers and of fish, master (and mistress?) of rivers. Doctor, hunter, fisherman, fisher woman or both, god or goddess of the gatherers, one who lives in water and on land.
    We prepare your meal: red snapper with watercress, squash, sweet potato, Mandarin oranges, sweet wine and almond oil. We dress for dinner in your blues, yellows, whites. Adorn ourselves with shells and beads that (...)
  • Esto sucede cuando el corazon de una mujer se rompe

    ESTO SUCEDE CUANDO EL CORAZON DE UNA MUJER SE ROMPE
    Después de la pérdida de Granada estabas indignada, abatida de pesar. Tanto Goliat para tan vulnerable David. En Trinidad, el recuerdo de tu paisaje te abrió a las mujeres, a ti misma. Cuando hablas nos abarcas con tus dedos finos, color de café pálido bajo la luz distante del atril, luego sonríes y nos previenes contra la metáfora del cuerpo femenino como playa o palmera.
    Jícama cruda. Luciérnaga. Yo conozco esta historia, no olvido mi propia (...)
  • The Price You Pay: The Hidden Cost of Women’s Relationship to Money

    The Egg Route (fragment)
    " . . . the entity called the family—that battleground, open wound, haven and theater of the absurd, which dominates each human childhood." —Adrienne Rich
    "Interdependency between women is the way to a freedom which allows the I to be, not in order to be used, but in order to be creative. This is a difference between the passive be and the active being." —Audre Lorde
    "Oh he was (...)
  • Hunger’s Table: Women, Food & Politics

    Grape Pie
    1
    This pie calls for 4 cups blue grapes and asks that skillful fingers slip the pulp from their skins. It requires you cook the lush mass until its seeds loosen, and begs you keep your fantasies in check.
    Press cooked pulp through a colander to remove but save the seeds. Your breathing stumbles now, mouth dries, thighs tingle and body moves gently back and forth.
    Now combine the pulp, seeds, 3/4 cup sugar 1-1/2 tablespoons lemon juice, 1 tablespoon grated orange rind and (...)
  • Sandino’s Daughters: Testimonies of Nicaraguan Women in Struggle

    Introduction to the Rutgers Edition
    Since 1981, when this book first appeared in English, Nicaragua’s history has moved quickly and been tumultuous enough so that some will ask: are these stories still relevant? Those who have read or heard of them will quickly respond: now more than ever. Since Rutgers’ 1994 publication of a sequel, there has been renewed interest in the original volume—some 30,000 copies-strong but several years out of print. Among my titles, it continues to be the (...)
  • Sandino’s Daughters Revisited: Feminism in Nicaragua

    "I believe that in the case of Latin America, and particularly in our own case, the women’s movement must combine the struggle for gender emancipation with that of national liberation. Neither can be subordinated; rather, each must be included with the other. There is no contradiction between anti-imperialism and equality."
    Sofia Montenegro
  • Las hijas de Sandino: una historia abierta

    Capitulo 13 SOFIA MONTENEGRO
    "¿Quién iba a confiar en una Montenegro?"
    Sofía Montenegro no aparece en Todas Estamos Despiertas. Cuando yo llegué a Nicaragua, justo después del triunfo de la victoria revolucionaria de 1979, su nombre no era uno de los que escuchaba mencionar repetidamente mientras iba de un sitio a otro, de una mujer a otra, escuchando historias extraordinarias de fuerza y participación y siempre preguntando quien más estaba dispuesta a compartir su historia. Y sin embargo, Sofía (...)
  • This Is About Incest

    THE GREEN CLOTHES HAMPER
    Rain almost hides my mountains today. Low clouds snag the rocky skirts. Colors of rain and clouds clean everything.
    I speak of the rain, the clouds, the living colors of this land because it seems impossible
    to cut this silence with the words my grandfather was a sick and evil man posing as healer.
    Now I retrieve his hands and eyes his penis filling my tiny infant mouth as he forced himself into a body, mine,
    that still finds reason easier than feeling. This is the (...)

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